.jpg)
The parable depicted by Il Guercino (a nickname meaning "squint-eyed") is the one most frequently represented in Western art for teaching repentance and forgiveness. Taken from Luke 15:11- 32, the story tells of a younger son who squanders his share of the family's estate and returns home to beg his father's forgiveness. Guercino shows the moment when the impoverished son is welcomed with compassion by his father. He sends a servant to bring fine clothes for his penitent son and to kill a fatted calf for a feast. Guercino painted the subject on seven different occasions, beginning in 1619. Like other late works by the artist, this one is characterized by its clarity and simplicity.
Archbishop Girolamo Boncompagni; The princes Colonna; The marquis of Landsdowne, his sale, Christie’s, London, March 7, 1930, lot 443; Private collection; Matthiesen Fine Art, London, 1981; Acquired by the Putnam Foundation, 1983
London, Matthiesen Gallery, 1981,lmportant Italian Baroque Paintings, 16oo-17oo, pp.74-77, no. 27, ill.; Bologna, Museo Civico Archeologico, 1991, Giovanni Francesco Barbieri,II Guercino,1591-1666, pp. 370-71,110.143, ill.; Frankfurt, Schirn Kunsthalle,1991-92, Giovanni Francesco
Barbieri, II Guercino, 1591-1666, pp. 328-29, no. 77, ill.; Washington, D.C., National Gallery of Art, 1992, Guercino, Master Painter of tlte Baroque, pp. 85, 298, no. 53, ill.
Colonna Inventory of 1714, Rome, Colonna Archives; Catalogo dei Quadri,e Pitture esistenti nel Palazzo dell'Eccellentissima Casa Colonna a Roma (Rome, 1783), p. 29, no. 178; F. W. B. von Ramdoh1 Ueber Mahlerei un d Bildhauerarbeit in Rom, 3 vols. (Leipzig, :q87), 2:80-81-7; C. C. Malvasia, Felsina pitfrice:Vite de' pittori bolog11esi, 2 vols. (Bologna, 184:1), val. 2, pt. 4, p. 270; ibid., val. 2, pt. 4, Libra dei conti,
April1.6,1.66o, p. 340; Mrs. Jameson, Companion to the Most Celebrated Private Galleries of Art in London (London, 1844), p. 303, no.21.; G. F. Waagen, Treasures of Art in Great Britain, 3 vols. (London, 1854), 2:152; L. Salerno, I dipinti del Guercino (Rome, 1988), p.377, no. 310.
The Timken provides collection images to scholars, educators, publishing companies, commercial entities, and the public. Please review the TERMS GOVERNING REPRODUCTIONS OR PUBLICATION OF IMAGES.
To proceed with your image request, fill out the Image Request Form and email it to registrar@timkenmuseum.org.
For questions please contact info@timkenmuseum.org.
This record has been reviewed by Timken Museum of Art staff and may be incomplete or contain errors. Our records are constantly revised. Inquiries about provenance are advised to contact the Director of Curatorial Affairs: curator@timkenmuseum.org.