
The Ascension of Christ took place on the Mount of Olives, and in this icon the figures are set against a hilly landscape studded with olive trees. The Virgin is flanked by the twelve Apostles. Behind her stand two angels, dressed in white, pointing toward Christ, who is carried heavenward. The concentric circles bearing Christ symbolize the holy world that he is about to enter. The title of the icon is printed in Cyrillic characters in the upper corners.
Tretyakov Gallery, Moscow; U.S.S.R. Central Art Collection Warehouse, 1936; George R. Hann, Sewickley Heights, Pennsylvania, his sale,
Christie’s, New York, April 15, 1981, lot 56; Acquired by the Putnam Foundation, 1981
Pittsburgh, Carnegie Institute, 1944, Collection of George R. Hann, no. 68; Syracuse, N.Y., Syracuse Museum of Fine Arts; Columbus, Ohio, Columbus Gallery of Fine Arts; Indianapolis, John Herron Art Museum; and Oberlin, Ohio, Allen Memorial Art Museum, 1944-45, Collection of George R. Hann, no. 33; The Art Institute of Chicago, 1944-45, Art of the United Nations; The Saint Louis Art Museum, 1945, Russian Icons and Objects of Ecclesiastical and Decorate Arts.
Russian Icons, intro. By Phillipp Schweinfurth (new York and London, n.d.), p. 45, ill.; Heinz Skrobucha, Meisterwerke der Ikonenmalerei
(Recklinghausen, 1961), pl. p. 233; Robert Wallace et al., Rise of Russia (New York, 1967), pl. p. 109; The Horizon Book of the Arts of Russia
(New York, 1970), pp. 72, 73, ill.
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