
Benjamin West was the first American-born painter to study abroad. He left Pennsylvania in 1760 for Rome, then in 1763 went to London, where he acquired an international reputation for his neoclassical style of painting historical and literary subjects. Here, West portrays a scene from The Faerie Queen, a book-length poem by Sir Edmund Spenser celebrating Christian virtues. Fidelia (Faith), holding the New Testament, and her sister Speranza (Hope) wait for the arrival of the Red Cross Knight. The knight, representing the human soul, is brought to the House of Holiness by Una (Truth) riding a donkey through the stormy landscape at left.
Acquired by the Putnam Foundation, 1969 [1]
Provenance Notes:
[1] The Timken painting was exhibited at the Royal Academy in 1777 (no. 364). John Boydell published, on November 9, 1778, a mezzotint by Valentine Green after the painting. Fidelia and Speranza may be an allegorical portrait, possibly of sisters, of a type that was common during the period. It does not appear in the early lists of West’s work, which is characteristic of his portraits.
London, Royal Academy of Arts, 1777, no. 364; Cambridge, Mass., The Fogg Art Museum, 1969, Grenville L. Winthrop: Retrospective for a
Collector, p. 132, ill.
John Chaloner Smith, British Mezzotinto Portraits, 4 vols. (London, 1883), 1:249-50, 2:598; John Dillenberger, Benjamin West: The Context of His Life's Work with Particular Attention to Paintings with Religious Subject Matter (San Antonio, Tex., 1977), pp. 25, 192, 211; Laurel Bradley, "Eighteenth-Century Paintings and Illustrations of Spenser's Faerie Queen: A Study in Taste," Marsyas 20 (1979-80): 51; William
H. Gerdts, "Hermia and Helena by Washington Allston," Christie's Review of the Season, 1982 (London, 1982), pp. 39, 40, fig. 4 Timken Art Gallery: European and American Works of Art in the Putnam Foundation Collection (San Diego,1983), pp. 110-12, 126, no. 42, ill.; Helmut von
Erffa and Allen Staley, The Paintings of Benjamin West (New Haven and London, 1986), pp. 209, 269, 279-80, 502, no. 222.
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